Somaya Langley is a sound and media artist (www.criticalsenses.com).
Her work has been presented and performed in festivals and conferences
throughout Australia and internationally including the International
Symposium of Electronic Arts (ISEA), Transmediale.08,
Tuned City, New
Interfaces for Musical Expression (NIME), das
kleine field recordings festival, Liquid
Architecture 6, the International
Conference on Auditory Display (ICAD), Sound
Lab Channel III, Electrofringe,
the Australasian Computer Music
Conference (ACMC), the Australasian
Sound Recording Association (ASRA) Conference, the Totally
Huge New Music Festival, the Melbourne
Fringe Festival and Skylounge
at the National Museum of Australia.
In 2005 she completed commissions for Experimenta’s
New Visions and the National
Film and Sound Archive’s Ten
Minutes of Passion, for which her piece Passion in
the Protest also received a finalist’s award. Highlights
over the past few years include surround-sound compositions for
tele path, a trilogy of video works by media artist David
McDowell, funded by artsACT
and sound for the solo theatre work The Minutiae of Inertia,
as part of the Melbourne
Fringe Festival. She also participated in the Performance
Space’s Time_Place_Space 5 workshop, which was
supported by an artsACT
2006 Travel Grant and participated in the Australian
Network for Art and Technology’s Create_Space
2005 New Media Lab, which was supported by an ANAT workshop grant.
In 2007, she attended the Australian
Network for Art and Technology’s re:skin Media
Laboratory that was supported by an ANAT workshop grant. Subsequently,
she travelled overseas to attend the New
Interfaces for Musical Expression (NIME) conference in New York,
the International Conference on Auditory
Display (ICAD) in Montreal plus a collaborative residency at
STEIM in Amsterdam ,which
was made possible by an Australia
Council for the Arts Run_Way grant.
In recent years, she has received funding support for her sound
installation works through artsACT
and the Australia Council for
the Arts. Current projects include a solo live performance endeavour
– ID-i/o
– supported by an Australia
Council for the Arts Sounding Out grant. In addition, from 2002 to 2004 Somaya was a member of the Australian
sensor-based trio, HyperSense
Complex and from 2005 to 2007 one half of the live multi-channel
audiovisual duo MetaSense. For over a decade she hosted a weekly radio programme,
SubSequence,
broadcast across the Australian Community
Radio Network and until mid-2007 was the National
Library of Australia’s Digital Preservation Officer. Over
five years of employment at the Library, her work included creation
of MusicAustralia
and the Library's online Digital
Collections. Additionally she developed models and workflows
for long-term sustainability of complex digital objects as part
of the Library's Digital Preservation Project. In 2006, she was
the recipient of the inaugural
Friends of the National Library of Australia Travelling
Fellowship to research models for archiving complex born-digital
objects, in California USA. In 2007 and 2008 she was the Australian Network for Art
and Technology's international media correspondent. From 2008 to 2009 she co-curator and online developer for Transit Lounge 2009 and was the Australian
Music Centre's Online Project Officer for their newly launched service.
She is currently co-director of the Electrofringe
festival held in Newcastle, Australia. She currently lives in transit - mainly
between Berlin and Sydney.
Turkish Markets, Maybachufer, Berlin. photo:
Maria-Eleni Alesandre
- Co-Director - Electrofringe
2008 - 2009, Festival of Electronic Arts and Culture
(Newcastle, Australia)
- Freelance - artist, sound artist, arts writer, digital archiving and online consultant, independent media arts researcher
- Online Project Officer - Australian
Music Centre, August 2008 - May 2009 (Sydney, Australia)
- Co-Curator - Transit
Lounge 2009, partner event of Transmediale, September 2008 - March 2009, (Berlin, Germany
/ Sydney, Australia)
- Media Correspondent - Australian
Network for Art and Technology, September 2007 - August 2008 (International)
- Digital Preservation Officer - National
Library of Australia , May 2005 - May 2007 (Canberra, Australia)
- Business Analyst/Interface Designer - National
Library of Australia , January 2002 - May 2005 (Canberra, Australia)
- Langley, S., "Magic and Mistakes - ISEA 08, Singapore",
RealTime, Issue 89, December/January 2008/2009, http://www.realtimearts.net/article/issue88/9234
- Langley, S., "Corresponding Networks ", Filter,
Issue 68, Winter 2008
- Bencina, R., Wilde, D., Langley, S., "Gesture
≈ Sound Experiments: Process and Mappings", 8th
International Conference on New Interfaces for Musical Expression
(NIME), Genova, Italy, 4th - 8th June 2008
- Langley, S., "Empathy and Otherness", RealTime,
Issue 82, December/January 2007/2008, http://www.realtimearts.net/article/82/8764
- Langley, S., "Sonic Secrets", Filter, Issue
64, January 2007
- Langley, S., "Complex Digital Objects", National
Library of Australia Gateways, Issue 84, December 2006, http://www.nla.gov.au/pub/gateways/issues/84/story05.html
- Lee, B., Clifton, G., Langley, S., PREMIS Requirement Statement
Project Report, Australian Partnership for Sustainable Repositories
, July 2006, http://www.apsr.edu.au/publications/presta/
- Langley, S., Where
Are We?, Vital
Signs conference, 9th September 2005, Australian Centre for
Moving Image (ACMI), September 2005, Melbourne
- Mediating
Models and Modes, Media
in Motion: The Challenge of Preservation in the Digital Age,
DOCAM and McGill University, 29th October 2008 Montreal, Canada,
(2008)
- Artist Talk – The Suspect Backpack, International
Symposium on Electronic Arts, Singapore (2008)
- Artist Talk (with Alexandra Gillespie) – Collar Weights,
International Symposium on
Electronic Arts, Singapore (2008)
- Poster presentation – Gesture
≈ Sound Experiments: Process and Mappings, 8th
International Conference on New Interfaces for Musical Expression
(NIME), Genova, Italy (2008)
- Panel presentation (presented by Alexandra Gillespie on my behalf),
WearNow Panel, Electrofringe,
Newcastle (2007)
- Paper (on behalf of David Worrall) – SoniPy: The Design
of an Extendable Software Framework for Sonification Research
and Auditory Display, International
Conference on Auditory Display, McGill University, Montreal
(2007)
- Paper – Perceiving the Outsider as part of the
panel Engaging the Outside, UnAustralia
– Cultural Studies of Australasia Annual Conference,
Canberra (2006)
- Paper (on behalf of Nick Mariette) – Perceptual Evaluation
of Spatial Audio for "Audio Nomad" Augmented Reality
Artworks, Engage,
University of Technology, Sydney (2006)
- Panel – Digital Archiving and Media Art History Writing,
Electrofringe, Newcastle
(2006)
- Paper – What art we listening to?, Australasian
Sound Recording Association Conference, Canberra (2006)
- Artist Talk – Sonic Gesturing: Utilising a Wearable
Interface in Live Electroacoustic Performance, Australasian
Computer Music Conference, Adelaide (2006)
- Panel – Collaboration in the New (Media) Age,
Electrofringe, Newcastle
(2005)
- tele path,
a trilogy of audiovisual works, single channel video and 5.1 surround
sound DVD (2008)
- out | side | in, Unfenced, the Australian Computer
Music Society Compilation Double CD (2008)
- Shimmer, Electricity 2, Blatant Propaganda, Compilation
CD (2004)
- Shimmer, ACMA2004, the Australian Computer Music Society
Compilation CD (2004)
- Riddell, Alistair, "Creative electronic Community", RealTime, Issue 89
February/March 2009, http://www.realtimearts.net/article/issue89/9346,
accessed 23 June 2008
- "Furthering Hybridity", RealTime, Issue 84
April/May 2008, http://www.realtimearts.net/article.php?id=8952,
accessed 23 June 2008
- Heiss, Leah, "Under the Skin", Craft Australia
- 716 craft + design, Issue 28, March 2007, http://www.craftaustralia.com.au/articles/20070328.php,
accessed 24 March 2008
- Jones, Stephen, "Memories of buildings and other ghosts",
RealTime, Issue 73 June/July 2006, http://www.realtimearts.net/article/73/8139,
accessed 29 February 2008
- Rodgers, J., “Student to put on show with musical jacket”,
Monitor Online, January 2006, http://www.canberra.edu.au/monitor/reports/20060124_somaya.htm,
accessed on 20 November 2006
- Kelly, M., “An interview with Somaya Langley”,
Filter, Issue 61, November 2005/January 2006
- Sinclair, J., “Spaced-out artists create way-out worlds”,
The Age, 3rd October 2005, http://www.theage.com.au/news/business/spacedout-artists-create-wayout-worlds/2005/10/02/1128191605847.html,
accessed on 20 November 2006
- Hamilton, A., "On Location: Liquid
Architecture" ,
The Wire , Issue 259, September 2005
- Fish, B., B., "Liquid Architecture
6 " ,
Cyclic Defrost, Issue 12, September 2005, http://www.cyclicdefrost.com/article.php?article=1017,
accessed on 13 January 2007
- Kubikle Kitten, "Liquid Architecture feat Thomas Brinkmann",
In The Mix, 6th July 2005, http://www.inthemix.com.au/reviews/events/21751/,
6th July 2005, accessed on 26 August 2005
- Priest, G., "Circuitous Journeys", RealTime,
Issue 62 August/September 2004, http://www.realtimearts.net/rt62/priest.html,
accessed on 26 August 2005
- Keen, S., "Still travel", RealTime, Issue
61 June/July 2004, http://www.realtimearts.net/rt61/keen.html,
accessed on 26 August 2005
- Rendle-Short, F., "NMA's Living Exhibits" RealTime,
Issue 60 April/May 2004, http://www.realtimearts.net/rt60/rendle_sky.html,
accessed on 26 August 2005
- "Scan 2003: new artists, new work", RealTime,
Issue 57, October/November 2003, http://www.realtimearts.net/rt57/langley.html,
accessed on 26 August 2005